Sunday, September 18, 2011

Murder Scene 1 from Invasion of the Bee Girls, 40X40: Beginnings & Middles


Sometimes I feel as though the more practice I have painting in oil, the more difficult and involved it becomes.  This painting was started back in February but has been in the dreaded and seemingly interminable “half finished” phase for months now.  It seems to always go this way - I victoriously cover the white of the canvas in one to two sessions, slap on a second layer in spots I feel comfortable with, and then bang my head on my pallet the entire rest of the way.  This frustration for me is bitter-sweet.  It represents a duality inherent to the art-making process, one which is both indispensable and compulsory.  Without some level of challenge one would acquire severe boredom and cease making art (or make very bad art), and yet this very challenge can overwhelm, exhaust, or for some, debilitate.

Unfortunately, I often find myself in the latter category.  I consider what this says about myself as a person and as an artist – am I simply too pessimistic in character, lazy in body and spirit, too unpracticed, or perhaps to foolish and dense to be asking the right questions of my art?  In the end I gamble that this is experienced by all artists at some point and that I am simply normal… but “normal” is never something an artist wants to be.


Sunday, June 19, 2011

Captive's Logue

8:00 am – alarm has been going off for a half hour.  I sleep another half hour.
9:30 am – time I am supposed to meet a friend for coffee at Weatherstone, but instead I am lugging my bike downstairs.
9:45 am – coffee commences, we talk about bilingualism and the drawbacks of translation.  I devour an entire almond croissant.
12:15 pm – after meeting up with another friend and walking to another coffee shop for beans, I finally head home to paint.
12:30 pm – about five brush strokes end up on my canvas before I am distracted by prospective properties on Craigslist.  I also look at bike frames. 
1:10 pm – decide I should wash my paint brushes before I really dig in and paint, but I’m hungry so I make food instead.
2:15 pm – finally get around to cleaning my brushes.
2:40 pm – you know what sounds good?.. a protein shake.
3:05 pm – five more brush strokes accomplished, but I need music to drown out the ghetto-blasting taking place in my next-door neighbor’s driveway, so I fiddle with a playlist.  
5:05 pm – don’t remember anything that took place over the last two hours, but it looks like a little bit of painting got done.  My palette is messy anyway.  Guess it’s dinnertime.
6:30 pm – intend to paint for only another fifteen minutes before stopping to do something else unnecessary, but the spirit catches me.  It’s about time.
7:22 pm – forgot about a pot of tea boiling on the stove.  Not good.  The kitchen is steamy like the jungle but luckily the pot hadn’t yet burned.
7:45 pm – back on a roll.  I paint for a solid two-and-a-half hours, save for restroom breaks.  The process is painstaking but it feels good.
10:15 pm – starting to feel exhausted.  I pop some popcorn but don’t actually eat any of it.  Zone out in front of the TV for fifteen minutes instead.
10:30 pm – back in the studio.  I surge like a madman through my last 45 minutes of painting. 
11:15 pm – eyes are too strained to continue; I throw in the towel.  For all the time I did manage to spend on the canvas, the painting itself barely looks any different.  There’s no real sense of accomplishment as I stagger into bed, only a vague impression of cosmic servitude.  I wonder at why it took me all day to commence creation.  Only one answer circles round and round my head as I drift to sleep; one word so simple, yet to my best attempts, confounding: fear. 

Sunday, April 10, 2011

Foreign Language

Writing this blog is the most difficult thing I’ve ever tried to do, excepting the horrific experience I had of writing an undergrad honors thesis for my anthro major.  There’s something about using language to communicate inner thoughts, ideas, and feelings that is downright foreign to me – and frightening.  After all, one’s application of language is, in practice, equally an expression of the speaker/writer’s level of intelligence, comedic sophistication, social facility, etc., as it is a tool for communicating said thoughts, ideas, and feelings.  So much could so easily go awry, and often does.  I have found myself paralyzed at times by this fear, knowing that my very next word or phrase could likely provide the evidence needed to confirm stupidity, short-sightedness, naïveté, or worse, single-dimensionality of person.  Other times I have overcompensated by rambling; hoping I could flesh out a gist, if only the listener would squint his ears just enough to hear what I’m meaning and not what I’m saying. 

What happens most often, however, is that I end my half of the conversation (or essay) with a sigh, knowing that the person(s) on the other end have no clue that I just completely failed at something.  It is precisely this sense of unremitting inability to share or satisfactorily participate, that fuels my desire for, and love of, the visual arts.  Yes, one can fail at art.  Yes, the fear of failing at making art can also be paralyzing or drive one to overcompensate.  Yet when I sigh after a work is completed, it is in relief.  My person is no single work; my person is that proverbial work in progressIf it takes me a lifetime to express through art that which is inside, all the more exciting and sustaining.  Certainly there will be times when the inside-come-outside is trite, unimaginative, overcompensating or stale, but if that is all my sweat leaves behind, then I accept my fate.        


In honor of all those who fail, please enjoy the following bad poem and artwork.  I am not making fun, rather I delight in their indefinable genius:


A FRIEND MOST TRUE
By “W. Hinson” (read more “friend poetry" here: http://www.friendship.com.au/poetry/

I need to know if you’re my true friend,
will you be by my side until the end?
Can I tell you my secrets deep,
and trust them in your heart you’ll keep?
We are neither of us without our flaws,
can you accept mine as I will yours?
I’ll be a shoulder to cry on when you’re blue,
will you be there for me when I need you?
No matter how busy I will make time for you,
if you are busy will you make time for me too?
I will take your hand and comfort your tears,
will you hold me and soothe my fears?
I will give you joy and many warm smiles,
can we share that even across many miles?
I will not forget what’s important to you,
will you remember what’s important to me too?
With you my most favourite things I’ll share,
If only I know do you truly care?
If you can accept me as I do you,
then I will know you are a friend most true.